He topped French opera, then died filed under old-fashioned
Massenet knew exactly what Parisian audiences wanted and gave it to them for forty-five years, in more than forty stage works ranging from comedies to classical myth. That instinct made him the dominant figure in French opera, and it is also what critics held against him by 1912: too fluent, too safe. Decades of neglect followed, then a mid-century reassessment that put his scores back on stages and on record. The reputational verdict on him is still oddly split, and the way critics have tried to word that split is worth reading.
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Jules Massenet · Article from Wikipedia, CC BY-SA.